LEE PUI MING She Comes to Shore

wswebmaster on December 2, 2018

LEE PUI MING: SHE COMES TO SHORE ● Lee Pui Ming (pn); Jed Gaylin, cond; Bay-Atlantic Symphony ● INNOVA 796 (64:20)to …. coils. turning. open. dive. she comes to shore.… she. shimmers Lee Pui Ming was born in Hong Kong in 1956, …

BECKMAN Big Muddy

wswebmaster on December 2, 2018

BECKMAN Big Muddy ● Richard Stoltzman (cl); Patrick Beckman (pn) ● NAVONA NV5815 (enhanced CD), 40:35 Patrick Beckman is an Illinois-born and –based pianist and composer. One of those musicians who has endeavored to keep his age pretty well hidden, he is, …

BECK In Flight Until Mysterious Night. Sonata No. 2 for Cello and Piano. In February. Gemini. Slow Motion. Third Delphic Hymn. September Music. String Quartets: No. 1; No. 2, “Fathers and Sons”; No. 4; No. 5

wswebmaster on December 2, 2018

BECK In Flight Until Mysterious Night. Sonata No. 2 for Cello and Piano. In February. Gemini. Slow Motion. Third Delphic Hymn. September Music ● IonSound Project (Peggy Yoo [fl], Kathleen Costello [cl], Eliseo Rael [perc], Laura Motchalov [vn], Elisa Kohanski [vc], Rob Frankenberry [pn]); Margaret Baube Andraso (sop) …

A. TCHEREPNIN Piano Music 1913-61. Sonata No. 1. Sonata No. 2. Quatre Préludes Nostalgiques. Prelude, Op. 85, No. 9. Moment Musical. Petite Suite. Rondo à la Russe. Entretiens. Polka. Scherzo. Expressions. La Quatrième

wswebmaster on December 2, 2018

A. TCHEREPNIN Piano Music 1913-61 ● Alexander Tcherepnin, Mikhail Shilyaev (pns) ● TOCCATA CLASSICS TOCC-0079 (79:48)Sonata No. 1. Sonata No. 2. Quatre Préludes Nostalgiques. Prelude, Op. 85, No. 9. Moment Musical . Petite Suite. Rondo à la Russe. Entretiens. Polka. Scherzo. Expressions. La Quatrième Alexandre Tcherepnin (1899-1977) was a composer …

PERSICHETTI Harmonium

wswebmaster on December 2, 2018

PERSICHETTI Harmonium ● Sherry Overholt (sop); Joshua Pierce (pn) ● MSR CLASSICS MS-1432 (60:17) Persichetti composed Harmonium—a cycle of 20 songs set to poems selected from Wallace Stevens’s eponymous 1923 collection—in 1951. It was the most ambitious work the 36-year-old composer had written …