SCHUMAN: Judith. Night Journey.

SCHUMAN: Judith. Night Journey. Eastman Philharmonia conducted by David Effron (Judith); Endymion Ensemble conducted by Jon Goldberg (Night Journey). CRI SD-500. Together with CRI’s recent reissue of his Sixth and Ninth Symphonies (see Fanfare VII:4, pp. 252-3), this new release documents some of …

MENNIN: Symphony No.7. Concerto for Piano and Orchestra

MENNIN: Symphony No.7. Concerto for Piano and Orchestra. Chicago Symphony Orchestra conducted by Jean Martinon (in Symphony); John Ogden, piano; Royal Philharmonic Orchestra conducted by Igor Buketoff (in Concerto). CRI RECORDS SD 399, $7.95. The reissue of these two great …

G. READ: Night Flight, op. 44. Symphony No. 4, op. 92. Toccata Giocosa, op. 94. Los Dioses Aztecas, op. 107. Piano Concerto, op. 130. The Hidden Lute, op. 132.. By-Low, My Babe, op. 138.. Epistle to the Corinthians, op. 144

G. READ:  Night Flight, op. 44.  Symphony No. 4, op. 92.  Toccata Giocosa, op. 94.  Los Dioses Aztecas, op. 107  ·  Robert Whitney, cond; Louisville O.  Lorin Maazel, cond; Cleveland O.  Paul Price, cond; Paul Price Percussion Ens  ·  CRI  CD-742, mono, analog (66:57) G. READ:  Piano Concerto, op. 130.  The Hidden Lute, op. 132.  By-Low, My Babe, op. 138.  Epistle to …

COWELL: Symphonies: No. 7; No. 16, “Icelandic”; Variations for Orchestra; Scenario; Wedding Anniversary Music; Duet and Andante. CRESTON: Piano Trio. LUENING: Trio No. 1. CHIHARA: Elegy.

COWELL:  Symphonies:  No. 7; No. 16, “Icelandic”.  Variations for Orchestra.  William Strickland conducting the Vienna Symphony Orchestra;  Icelandic Symphony Orchestra; Polish National Radio Orchestra.  CRI CD-740 [ADD]; 68:41.  COWELL:  Scenario; Wedding Anniversary Music; Duet and Andante.  CRESTON:  Piano Trio.  LUENING:  Trio No. 1.  CHIHARA:  Elegy.  Mirecourt Trio.  MUSIC & ARTS CD-934 [DDD/ADD]; 61:56.  Record companies …

MENNIN: Symphonies Nos. 3 and 7, Piano Concerto

Peter Mennin: Symphonies Nos. 3 and 7Piano Concerto  (Liner Notes for CRI CD741)During the years immediately following World War II, when American composers were generally divided among the nationalist-populists, the neoromantic traditionalists, and several camps of the avant-garde, Peter Mennin preferred …